Abstract
This article tries to make an analysis of approach to the valuation of the
copies and three-dimensional reproductions, both as regards them and
documentary sources of information, as in what they assume as an alternative
native preservation of originals in certain circumstances.
At the same time, an attempt is made to delve into the reasons that may have motivated
This loss of valuation has been overcome, which leads to confuse, even
to the Conservation of Heritage, the concept of falsification or false with
the antonym of original.