Abstract
It is our intention to verify in this article, as a continuation of what Joaquin Leal and Emilia Schüller wrote for number 2 of Pátina -published in April 1987-, the evolution of the last phases of the treatment of the glazed ceramic tombstone of Salvatierra, donated by the Museum of Popular Arts and Traditions (UAM) for its restoration. The work was carried out during the 87-88 course, by the students of Archeology I under the direction of Raúl Amitrano and, in the last month of treatment, by the 1ºA course under the direction of Guillermo Fernandez.