Abstract
- Different documentary contributions to establish the authorship of the altarpiece
- Contract of the painter Francisco de Espinosa
- Appraisal Procedures
- Butler Appraisers
- Excerpts from documents provided by J. Porres
- Facts about the carver Juan de Tovar
- Documentation collected in the parish archive of Santiago de Arrabal
- Description of the altarpiece
- Iconographic program
- Execution techniques
- State of conservation
- Treatment applied
- Specific treatment
- Intervention in architecture