Abstract
The presbytery of the MM. Dominicas de Toro was restored in July 2003 by the Madrid School of Conservation and Restoration of Cultural Assets1, under the patronage of the González Allende Foundation. The intervention was limited to wall paintings, those that decorate the main chapel. This article constitutes the historical-artistic report of that summer campaign, including a synthesis on its restoration process. After making a state of the bibliographic question and looking for manuscript sources related to the work, we entered formal aspects of this pictorial set, especially those related to its authorship, style, as well as the iconographic program, authentic