Abstract
During the past year, a set of notable paintings from the Convent of the Mercedarias de Toro (Zamora), and belonging to one or more authors of the Toledo school of the early seventeenth century, was restored.
Most read articles by the same author(s)
- Antonio Sama, Gaudí's Capricho, in danger , Pátina: No. 2 (1987): Pátina 2
Similar Articles
- Ángel Gea García, Memory of works restored during the 2018-2019 school year , Pátina: No. 21 (2019): Pátina 21
- Lourdes Rico Martínez, Restoration of bridges Restoration of contemporary painting en , Pátina: No. 7 (1995): Pátina 7
- Juan Luis Cobo González, Leocadio Melchor Rodríguez, Restoration of painting on board , Pátina: No. 3 (1988): Pátina 3
- Blanca Altozano Jover, Preview of a bibliographic compilation on painting restoration , Pátina: No. 3 (1988): Pátina 3
- Jesus Alonso Lopez, Paloma Muñoz Campos, Roman mural painting in the Museum of Zaragoza , Pátina: No. 4 (1990): Pátina 4
- Belen Guijarro, Restoration work at the Royal Palace , Pátina: No. 3 (1988): Pátina 3
- Emilio Casero Chamorro , Bárbara Martín Gómez , Claudia Minguillón Gala , Carmen Pascual Marcos, From practice to "practices". A reflection on the importance of external practices in conservation-restoration studies based on the experience in the Archaeological Museum , Pátina: No. 19 (2016): Pátina 19
- Teresa Guinea Jaime , Study and restoration of an oil on copper , Pátina: No. 4 (1990): Pátina 4
- Ana Schoebel Orbea , New specialty at the School of Conservation and Restoration , Pátina: No. 3 (1988): Pátina 3
- Leticia Ruiz Gómez , Gianluigi Colalucci and the restoration of the Sistine Chapel , Pátina: No. 3 (1988): Pátina 3
You may also start an advanced similarity search for this article.